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♥ precious.
la bella vita;

Cara

loves: black and white photography. poetry. vintage stores. thunderstorms. good ambience. fairytales. disneyworld. black kohl and fuschia lipstick. red and purple skittles. turquoise beads. icing but not cakes. might-have-beens. the dandy warhols. within temptation. automatic loveletter. mediaeval baebes. troy. interview with a vampire. the oc. making 11:11 wishes. purple glitter. mermaids. my-little-ponies. magic.

expertise: melodramaticks. eyeliner. laughing. goodbyes. hanging in there.

♥ music on, world off.
shh.

soundtrack to life.

♥ scream(?).
live.

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  • ♥ past .
    instant time travel

    December 2007
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    ♥ adieu .
    set them free

    AMANDA
    ANDRE
    ASH
    DEB
    ELEMM
    07IP04!
    08IP04!
    JOSH
    KAT
    LISA
    QIU
    RENJEAN


    ♥ credits .
    thankyouverymuch

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    Monday, February 15, 2010
    hello, old friend. 4:42 AM



    You saved my life he says   I owe you everything.

    You don’t, I say, you don’t owe me squat, let’s just get going, let’s just get gone, but he’s

               relentless,

    keeps saying  I owe you, says  Your shoes are filling with your own damn blood,

    you must want something, just tell me, and it’s yours.

              But I can’t look at him, can hardly speak,

    I took the bullet for all the wrong reasons, I’d just as soon kill you myself, I say.

    You keep saying  I owe you, I owe… but you say the same thing every time.

              Let’s not talk about it, let’s just not talk.

    Not because I don’t believe it, not because I want it any different, but I’m always saving

    and you’re always owing and I’m tired of asking to settle the debt.

              Don’t bother.

    You never mean it anyway, not really, and it only makes me that much more ashamed.

    There’s only one thing I want, don’t make me say it, just get me bandages, I’m bleeding,

              I’m not just making conversation.

    There’s smashed glass glittering everywhere like stars. It’s a Western, Henry,

    it’s a downright shoot-em-up. We’ve made a graveyard out of the bone white afternoon.

              It’s another wrong-man-dies scenario

    and we keep doing it, Henry, keep saying  until we get it right… 

    but we always win and we never quit, see, we’ve won again, here we are at the place

              where I get to beg for it

    where I get to say  Please, for just one night, will you lay down next to me, we can leave our

    clothes on, we can stay all buttoned up?

              or will I say

    Roll over and let me fuck you till you puke, Henry, you owe me this much, you can indulge me

    this at least, can’t you?  but we both know how it goes. I say  I want you inside me

               and you hold my head underwater, I say   I want you inside me

    and you split me open with a knife. I’m battling monsters, half-monkey, half-tarantula,

    I’m pulling you out of the burning buildings and you say  I’ll give you anything.

              But you never come through.

    Give me bullet power. Give me power over angels. Even when you’re standing up

    you look like you’re lying down, but will you let me kiss your neck, baby? Do I have to

              tie your arms down?

    Do I have to stick my tongue in your mouth like the hand of a thief, like a burglary

    like it’s just another petty theft? It makes me tired, Henry. Do you see what I mean?

              Do you see what I’m getting at?

    You swallowing matches and suddenly I’m yelling  Strike me. Strike anywhere.

     I swear, I end up feeling empty, like you’ve taken something out of me, and I have to search

              my body for the scars, thinking

    Did he find that one last tender place to sink his teeth in?   I know you want me to say it, Henry,

    it’s in the script, you want me to say  Lie down on the bed, you’re all I ever wanted

              and worth dying for too

    but I think I’d rather keep the bullet this time. It’s mine, you can’t have it, see,

    I’m not giving it up. This way you still owe me, and that’s

              as good as anything.

    You can’t get out of this one, Henry, you can’t get it out of me, and with this bullet

    lodged in my chest, covered with your name, I will turn myself into a gun, because

               it’s all I have,

    because I’m hungry and hollow and just want something to call my own. I’ll be your

    slaughterhouse, your killing floor, your morgue and final resting, walking around with this

              bullet inside me

    ‘cause I couldn’t make you love me and I’m tired of pulling your teeth. Don’t you see, it’s like

    I’ve swallowed your house keys, and it feels so natural, like the bullet was already there,

              like it’s been waiting inside me the whole time.

    Do you want it? Do you want anything I have? Will you throw me to the ground

    like you mean it, reach inside and wrestle it out with your bare hands?

              If you love me, Henry, you don’t love me in a way I understand.

    Do you know how it ends? Do you feel lucky? Do you want to go home now?

    There’s a bottle of whiskey in the trunk of the Chevy and a dead man at our feet

              staring up at us like we’re something interesting.

    This is where the evening splits in half, Henry, love or death. Grab an end, pull hard,

    and make a wish.


    - Wishbone, Richard Siken.



    hello, old friend. 1:17 AM




    "there's a place i know
    if you're looking for a show
    where they go hardcore
    and there's glitter on the floor

    there's a place downtown
    where the freaks all come around
    it's a hole in the wall
    it's a dirty free for all"




    Saturday, February 6, 2010
    hello, old friend. 6:18 AM

    MM WHATCHA SAY;
    ----

    Honestly- how could anything today be all that bad after getting front row tickets to Imogen Heap? (!!!)

    March will roll around.
    And seeing Imi live with Ash and WL, less than TWO METRES AWAY FROM MY FACE with all her electronik magick and dreamfinger sorcery and tectonic warble is going to be a spiritual experience.

    I saw E.P today, and it didn't feel like Girl, Interrupted.
    Which is a relief.

    I am doing...great, and not so good; so averaged out I suppose that makes me okay.

    I'M ALL RIGHT IN THE DAYTIME

    And tomorrow I'm going to
    going to
    going to
    .

    I miss Boston already, though!
    It feels odd not waking up in the morning, prodding Angie to get the wakeup phone call, sifting through my mess of a suitcase and somehow managing to locate black stockings and eyeliner, and then turning up the volume on The Virgins while the shower runs. And then heading downstairs with Lisa to get our ritualistic morning cinnamon dolce latte; before navigating up the escalator in impossible patent black heels and going for the first Legal Comm session of the day.
    Hell- I almost MISS the conferences that stretched on till crazy 1145 at night.
    Followed by a hot bath, Lisa and I in our breezy Indonesian pyjamas, and then random people heaping into random rooms and collapsing on beds after much laughter and long talk at 2AM to sleep till 7 the next morning.

    And I miss the general hilarity.

    Dora was upset, cuz she left the softballs she got for Kai as prezzies back in the Sheraton.

    Dor: I left them back in the Sheratonnnn.
    Lisa: ...You left Kai's balls in Boston?
    Cara: Party in the USA!

    Honourable Delegation '10. I love y'all like Miley loves her sweet nibblets.
    Yeehaw.

    Am currently working on my H3 Lit proposal.
    Primary texts: Looking for Alaska, On The Road, and The Secret History.
    On The Road has to be one of my favourite new books. I love it, but barely understand it, and yet the more I flip back through the pages, the more I feel like we get each other. In a raw, ephemeral way.
    Do I make sense?
    No?
    That's okay- it happens a lot.

    But it's like there's just pages upon swimming pages of beautiful words- words you grasp at, even though you don't understand. Because you get this feeling that if you could just get past their raw, spirit-soaked madness; then behind them would be the infinity scroll shining clear and golden and undeniable.



    On another note- ...TWENTY MINUTES MORE.
    Where are you, sharp-talking distraction? Hurry hurry get over here.

    69 72 00 55 15 18. 7809343408. 145901!

    I miss you, yesterday boy,
    and I've realized that the word "yesterday" is imperative.





    I wrote a song today, and it had the simplest words I'd ever written.
    But I liked it.


    Wednesday, February 3, 2010
    hello, old friend. 3:17 AM


    Today, Lisa and I went to the bookstore. I love the way people stare at us on the streets when we go out- love the juxtaposition of light and dark, crystal-like and tawny, wide eyed and deep lashed, her clear mirror eyes and mine the ones he said he once fell into and never came back.


    And I got books.

    So many books.

    I know...I'm such a geek; but what can you do? At least I'm the good kind.


    Lisa got George Orwell's 1984 and we both found the rare prized Looking For Alaska(!) and I have Jack Kerouac's On The Road and came away, too, with an impulse buy- Patti Smith's Auguries of Innocence. Gravitated towards it while my eyes were fingering the shelves and I found it and picked it up and leafed through it .


    And then I knew I couldn't leave it behind. Because the pages whispered and the words throbbing, knowing, waiting in them were sacrilege and darkly sacred all at once and they were murmuring my name in devilsbells and I couldn't leave them behind.


    oh, this word madness. oh, this catharsis of ink and story and bone.


    I have scorpions on my ears and I will sting you for every lie you whisper.

    I will lift cool, clear walls and maroon you, you with your impeccable ideals and your right compass and your debatable arrow; like a one-man Atlantis/

    will hear you as you sink, the thousand voices of the thousand people we could have been rising in dreadful cacophony as the water rises over your godhead and i will laugh/


    I will lose myself in the words of poets and beatboys and the Madman Who Saw God.

    will lie on tawny shores and let the waves wash over every line of my body and into my lungs until when I sing it will be seawater and when I speak they will hear the voice of Poseidon in a great and rushing roar of pain.


    I will swallow the great terrible darkness
    but sing wild and dreadful hallelujahs to a God who killed me over an altar, whispering "die to yourself"
    and when I finally learn to listen I shall rise from the cinders of Abraham, of Isaac ringing with all the fear and all the light and all the understanding of Tomorrow--

    he will call me phoenixchild:
    i, laughing, will rocket skywards with waxen wings ablaze.